mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt I

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 108

composition: (Op. 4), Sonata in C minor, Mvt I

in A

2  in GE (→FE,EE,IE)
..

The doubled, moved and prolonged  hairpin resulted from an arbitrary decision by the engraver of GE (→FE,EE,IE). The first two changes probably originated from the changes in the arrangement of the R.H. part voices – see the next note. In the main text we keep the A notation.

category imprint: Differences between sources

issues: Scope of dynamic hairpins , GE revisions

b. 109-110

composition: (Op. 4), Sonata in C minor, Mvt I

Long accents in A, possible interpretation

Accent &  in GE (→EE,IE)

2  in FE (our alternative suggestion)
..

The  marks written in A at the beginning of these bars seem to be accents (long), and this is the version we suggest in the main text. However, such an interpretation could be questioned – as the marks are under the stave, it could mean that they are related to the bottom voice, which excludes accents, since in both cases they would concern tied notes. Due to the above, as an alternative solution we suggest short diminuendoes between the crotchets. The differentiated GE marks (→EE,IE) correspond to certain aspects of the A notation, yet, according to us, they are accidental, since there are no musical grounds to interpret these two places differently. FE standardised the marks, which resulted in a version that we suggest as an alternative.

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Long accents , FE revisions

b. 111

composition: (Op. 4), Sonata in C minor, Mvt I

..

In the main text we include the cautionary  to d1, added by GE (→FE,EE,IE).

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 112-116

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in GE (→FE,IE)

Fingering in EE
..

In the main text we omit the inauthentic L.H. part fingering added by EE in bar 112 and 115-116.

category imprint: Differences between sources

issues: EE revisions

b. 113-122

composition: (Op. 4), Sonata in C minor, Mvt I

..

In the main text we keep the A beaming, that is quavers grouped in pairs. In GE (→FE,EE,IE) the two-quaver beams were replaced by standard four-quaver beams. A similar change was performed by the Viennese publisher of the Variations in B, Op. 2, bars 208-239. The same applies to bars 131-138.

category imprint: Differences between sources

issues: GE revisions