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b. 19
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composition: Op. 49, Fantaisie in F minor
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We consider the deletion of the c2 note visible in FES to be coming most probably from Chopin; it was meant as a convenience for pianists with smaller hands. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FES , Authentic post-publication changes and variants |
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b. 20
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composition: Op. 49, Fantaisie in F minor
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In FE1 the minim in the 2nd half of the bar is an e1. The patent mistake was corrected – perhaps at Chopin's request – in FE2 (→EE). category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 20
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composition: Op. 49, Fantaisie in F minor
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In the main text we include the staccato dot on the 3rd beat, entered into A (→GE) and most probably overlooked in [FC] or FE. category imprint: Differences between sources |
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b. 21-42
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composition: Op. 49, Fantaisie in F minor
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As was the case with the earlier markings, Chopin added detailed pedal markings concerning these bars to A (→GE) after [FC] had already been finished. On the basis of GE1, the markings were also added to EE2, yet it was only the marks in bars 21-23, 37 and 39 that were repeated, while the remaining ones were replaced by a general indication sempre category imprint: Differences between sources; Corrections & alterations |
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b. 21
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composition: Op. 49, Fantaisie in F minor
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In GE1 the R.H. bottom voice rest was overlooked on the 3rd beat. The defect was corrected in GE2. category imprint: Differences between sources issues: Errors in GE , GE revisions |
at the beginning of bar 24 (see also the note in bar 22).