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b. 162-163
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composition: Op. 49, Fantaisie in F minor
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Chopin must have added the two pedal changes within this two-bar section to [FC] or while proofreading FE1. The comparison with analogous bars 75-76 and 242-243 suggests that Chopin committed a mistake while writing the A pedal markings concerning the discussed bars, confused by the L.H. part shorthand notation. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 162-163
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composition: Op. 49, Fantaisie in F minor
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The second L.H. figure in bar 162 and both in bar 163 were written in A with the use of shorthand notation with / marks. In GE and FE (→EE) they were written out in full. category imprint: Differences between sources; Source & stylistic information issues: GE revisions , Abbreviated notation of A , FE revisions |
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b. 164-168
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composition: Op. 49, Fantaisie in F minor
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The category imprint: Differences between sources; Corrections & alterations issues: EE revisions |
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b. 164
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composition: Op. 49, Fantaisie in F minor
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Like the previous ones, the L.H. slurs were almost certainly added to A after [FC] had been finished, which explains their absence in FE (→EE1). In EE2 they were added on the basis of GE1. category imprint: Differences between sources; Corrections & alterations |
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b. 164-169
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composition: Op. 49, Fantaisie in F minor
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As in bars 77-82, moving the semiquavers in bars 164-166 and 168-169 beyond the 3rd quaver of a respective L.H. triplet was an arbitrary change by the revisers of GE and EE. category imprint: Differences between sources issues: EE revisions , GE revisions , Dotted rhythms and triplets |
in 
in bar 172, two cresc. - - in bars 174-179 and 
in bar 180). The second hairpin was added by 
