Verbal indications
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b. 160
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composition: Op. 49, Fantaisie in F minor
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In the main text we give the nuanced crescendo, consisting of two waves, marked in A. GE reproduced it inaccurately, as a result of which the cresc. indication in this bar only reminds us that the marking whose range is indicated by the dashes is crescendo. On the other hand, the continuous cresc. (without the repeated indication) in FE (→EE) may be an authentic variant, entered into [FC] or at the stage of proofreading FE1 independently of the A notation. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 172
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composition: Op. 49, Fantaisie in F minor
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Chopin almost certainly added category imprint: Differences between sources |
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b. 174
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composition: Op. 49, Fantaisie in F minor
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Chopin added the cresc. - - indication to A after the basis for FE had been finished, that is [FC]. In GE it was reproduced inaccurately, omitting the dash at the beginning of bar 175. category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in GE |
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b. 178
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composition: Op. 49, Fantaisie in F minor
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As in bars 174-175, Chopin added the cresc. - - indication to A after the basis for FE had been finished, that is [FC]. In GE1 the marking was overlooked, which was corrected by GE2. See also bar 179. category imprint: Differences between sources; Corrections & alterations issues: Errors in GE , GE revisions |
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b. 179
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composition: Op. 49, Fantaisie in F minor
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In the main text we reproduce the A notation, in which the dashes marking the range of the crescendo from bar 178 are led to the beginning of this bar. In FE (→EE) and GE1 the entire indication is absent, while in GE2 the last dashes were overlooked. category imprint: Differences between sources issues: Inaccuracies in GE |
in 
in bar 164 and 168 and cresc. - - in bar 174 and 178.
