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b. 270

composition: Op. 49, Fantaisie in F minor

..

In A and FE there is no  raising d1 to d1 in the 2nd quaver in the bar. The patent inaccuracy was corrected in GE and EE. In both these editions a cautionary  to b1 at the beginning of the bar was also added. We include this accidental in the main text.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE

b. 271

composition: Op. 49, Fantaisie in F minor

..

A cautionary flat to e is present only in A (→GE) and EE2.
In the main text we add flats to the D-d octave.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Cautionary accidentals

b. 271

composition: Op. 49, Fantaisie in F minor

..

In A Chopin initially wrote an e-g-c1 chord as the 2nd crotchet, which can be seen under the deletion.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Accompaniment changes

b. 274

composition: Op. 49, Fantaisie in F minor

..

In the 2nd half of the bar Chopin overlooked in A the naturals raising a1 to a1 and f1 to f1. In the editions only the latter was corrected (both are patent inaccuracies).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 278-282

composition: Op. 49, Fantaisie in F minor

..

In the main text we add cautionary naturals to g1-g2 in bar 278 and 282. In bar 278 accidentals were also added by GE.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions