Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Pitch
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Pitch

b. 208

composition: Op. 49, Fantaisie in F minor

..

We add a cautionary  before g in the main text.

category imprint: Editorial revisions

b. 210

composition: Op. 49, Fantaisie in F minor

..

The notation of accidentals in the first two chords in the bar differs significantly between the sources:

  • In the 1st chord A and FE (→EE) include accidentals to each note. In GE1 the cautionary  to a1 was overlooked, which was then added in GE2. In the main text we omit the cautionary sharps to the L.H. octave.
  • In the second chord in A there are no accidentals to the outermost notes in the R.H. part, which, when interpreted literally, would result in c1 and c2. In FE (→EE) only a  to the top note was added, while in GE – to both, which we also adopt to the main text.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Omissions to cancel alteration , GE revisions , Cautionary accidentals , FE revisions

b. 214

composition: Op. 49, Fantaisie in F minor

..

In A there are no accidentals to the 2nd R.H. chord. In FE a cautionary  was added to c1, perhaps at Chopin's request. GE and EE include both cautionary accidentals, which we give in the main text.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE

b. 214

composition: Op. 49, Fantaisie in F minor

..

The deletions visible in A reveal that the decision concerning the 2nd and 3rd beats of the bar in the L.H. part was changed twice. Two versions were deleted, one of which – most probably the initial one – is identical to the final text (the F1-F minim). In the second deleted version Chopin kept simultaneous chords (including basses) to the end: .

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Chopin's hesitations , Deletions in A

b. 218

composition: Op. 49, Fantaisie in F minor

..

We add a cautionary  before a in the main text.

category imprint: Editorial revisions