Pitch
b. 170-171
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composition: Op. 49, Fantaisie in F minor
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As in the 3 preceding bars, in A Chopin overlooked a number of necessary flats to g and c notes – in bar 170 to g1 and both to c1 (L.H. and R.H.), in bar 171 to g and c2. Only 3 of them were added by FE – both in the R.H. in bar 170 and one in the L.H. in bar 171. GE and EE show the correct text. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in A |
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b. 170
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composition: Op. 49, Fantaisie in F minor category imprint: Differences between sources issues: Errors in FE , FE revisions |
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b. 172
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composition: Op. 49, Fantaisie in F minor
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We add cautionary naturals before C and c1 in the main text. category imprint: Editorial revisions |
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b. 172-173
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composition: Op. 49, Fantaisie in F minor
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In A (→GE) and FE there are no flats to the 2nd quaver in each of these bars. Chopin's patent oversight – flats are written next to the g grace notes – went unnoticed by the revisers of GE and FE and by Chopin himself while he was proofreading FE1 and FE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Omission of current key accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE |
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b. 176
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composition: Op. 49, Fantaisie in F minor
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We add a cautionary before g in the main text. category imprint: Editorial revisions |