mUltimate Chopin

Op. 12, Variations in B♭ major

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Pitch
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

Pitch

b. 107

composition: Op. 12, Variations in B♭ major

..

In the main text we omit the  to the e1 quaver, unnecessarily repeated in all sources. 

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 109

composition: Op. 12, Variations in B♭ major

..

In FE the  restoring f2 in the 2nd half of the bar is missing. The patent mistake was corrected both in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions

b. 110

composition: Op. 12, Variations in B♭ major

e2-b2-b2 & e2-b2-c3 in FE (→EE), contextual interpretation

e2-b2 & e2-b2-c3 in GE
..

In this place corrections were being made, both in FE and GE, most probably from the following version: , which probably originated from the FE engraver having misinterpreted the following [A] notation:  (similar issues concerning the reproduction of the Chopinesque notation of an augmented prime – see the Ballade in G minor, Op. 23, bar 170). In the FE (→EE) version, undoubtedly authentic, the wrong order of the b2 and b2 notes in the 1st chord makes the middle note of the 2nd chord an erroneous b2. Therefore, in the main text we switch these notes; moreover, we introduce the contemporary version of notation of an augmented prime. The GE version, which can be attributed to both Chopin and the reviser, can be considered a potentially authentic variant.

category imprint: Differences between sources; Editorial revisions; Corrections & alterations

issues: Errors in FE , GE revisions , Authentic corrections of FE , Authentic corrections of GE , Errors repeated in EE

b. 114

composition: Op. 12, Variations in B♭ major

..

In FE1 (→GE1,EE) there is a g1-d2 fifth on the 5th quaver in the bar. Chopin corrected it to a g1-c2 fourth in FEO; a similar correction was also introduced by GE2.

category imprint: Differences between sources

issues: Annotations in teaching copies , Errors in FE , GE revisions , Annotations in FEO , Errors repeated in GE , Errors repeated in EE

b. 123

composition: Op. 12, Variations in B♭ major

..

In the main text we include the  raising g1 to g1 added in GE, although it is uncertain whether it was performed at Chopin's request. In the harmonic language of this variation, the use of an altered dominant in this model cadence in F minor would be inconceivable.

category imprint: Differences between sources

issues: Errors in FE , GE revisions , Omission of current key accidentals , Last key signature sign , Errors repeated in EE