



b. 129
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composition: Op. 12, Variations in B♭ major
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The absence of a slur in FE1 (→EE) is almost certainly an oversight, which is proven by both a comparison with the subsequent similar figures and the slur added in FEO. Therefore, we provide it directly in the main text. A slur was also added in GE. category imprint: Differences between sources issues: Annotations in teaching copies , GE revisions , Annotations in FEO |
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b. 129
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composition: Op. 12, Variations in B♭ major
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It is highly likely that the accent in the FEO teaching copy was added by Chopin, hence we include it in the main text in a variant form. category imprint: Differences between sources; Editorial revisions |
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b. 129
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composition: Op. 12, Variations in B♭ major
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The curved line entered in pencil into FEO could be interpreted as a slur indicating that the F chord opening this bar should be combined with the preceding D category imprint: Graphic ambiguousness; Differences between sources; Source & stylistic information |
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b. 130-131
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composition: Op. 12, Variations in B♭ major
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We consider the missing slurs over the descending octave motifs to be an inaccuracy – cf. the slurs concerning the previous two motifs. The omission of 2 other L.H. slurs in bars 129-131 justifies the introduction of respective additions directly into the main text. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in GE |
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b. 131
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composition: Op. 12, Variations in B♭ major
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The sources do not include a category imprint: Interpretations within context issues: Errors in FE , Accidentals in different octaves , Errors repeated in GE , Errors repeated in EE |