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Op. 12, Variations in B♭ major

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b. 127

composition: Op. 12, Variations in B♭ major

No pedalling in FE (→GE,EE)

[ ] suggested by the editors
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On the basis of a comparison with bar 125, we suggest supplementing the pedalling in the main text.

category imprint: Editorial revisions

b. 128

composition: Op. 12, Variations in B♭ major

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In FE (→EE) we can see semiquaver rests, instead of demisemiquaver ones. The mistake was corrected in GE.

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , GE revisions , Rhythmic errors , Errors repeated in EE

b. 128

composition: Op. 12, Variations in B♭ major

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In FE the  lowering a1 to a1 was omitted. The patent mistake was corrected in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions

b. 128

composition: Op. 12, Variations in B♭ major

Dotted crotchet in FE (→EE)

Crotchet & rest in GE
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It is difficult to say how this discrepancy arose, while each of the versions offer interesting interpretation possibilities. To the main text we adopt the FE variant (→EE), since it is probably based on [A], and certainly authentic. See also the note at the beginning of bar 129.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE , Authentic corrections of GE

b. 129

composition: Op. 12, Variations in B♭ major

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In FE (→EE) the naturals raising g2 to g2 and d2 to d2 are missing, which is a patent oversight. The former was added in GE.

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , GE revisions , Errors repeated in EE