b. 124
|
composition: WN 29, Waltz in E minor
..
The indication was added in PE2 (→PE3→PE4) probably as a correction of the oversight by the engraver of PE1 (→GE). According to us, however, it is more likely that the indication entered into [A] was , and not :
category imprint: Differences between sources; Editorial revisions issues: Errors in PE , Revisions in #PE |
||||||||
b. 124
|
composition: WN 29, Waltz in E minor
..
The wedges for the 1st crotchet were most probably overlooked by PE1 (→GE), which was rectified by adding them in PE2 (→PE3→PE4). Cf. the note on / below. category imprint: Differences between sources issues: Wedges , Errors in PE , Revisions in #PE |
||||||||
b. 124
|
composition: WN 29, Waltz in E minor
..
The version of GE and our main text are two alternative ways of correcting the wrong version of PE, in which it is only a mark that is present in this bar, without the corresponding mark. category imprint: Editorial revisions issues: GE revisions , Errors in PE |
||||||||
b. 125-127
|
composition: WN 29, Waltz in E minor
..
Assigning the accents to the R.H. part must be a mistake by the engraver of GE. Although the version of PE is not clear from the graphical point of view, the natural addressee of these accents are the distinct L.H. minims resulting from syncopation. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in PE |
||||||||
b. 125
|
composition: WN 29, Waltz in E minor
..
In PE1 (→PE2) there is no lowering f2 to f2. The patent mistake was corrected in GE. A natural to this note was also added in PE3 (→PE4); however, it was placed on the wrong side of the note – right. category imprint: Interpretations within context; Differences between sources issues: Errors resulting from corrections , GE revisions , Sign reversal , Errors in PE , Revisions in #PE |