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b. 99

composition: WN 29, Waltz in E minor

 only in b. 99 in sources

in both passages suggested by the editors

..

The missing  hairpin in bar 99/123 is most probably an oversight by the engraver, hence in the main text we include (by means of the repeat sign) the mark from bar 99 twice.

category imprint: Editorial revisions

issues: Errors in PE

b. 103

composition: WN 29, Waltz in E minor

..

The cautionary  to gis present in the sources only the first time, in bar 103. It is difficult to say whether it was overlooked in bar 103/127 or added by the reviser in bar 103. In the main text we include this accidental.

category imprint: Editorial revisions

issues: Cautionary accidentals , Errors in PE , Revisions in #PE

b. 104

composition: WN 29, Waltz in E minor

..

In the copy of PE4 presented in mUltimate Chopin, the staccato dot over the e crotchet is invisible. We do not consider it a separate version, since it is almost certainly a result of progressive wear and tear of printing materials – in other copies the dot may be visible.

category imprint: Source & stylistic information

b. 105-106

composition: WN 29, Waltz in E minor

..

In all sources the only pedal marking in bars 105-106 is the  mark at the end of bar 106, which is a patent mistake. We consider the unquestionable pedal markings present the second time these bars appear to be the text of the sources. We suggest this version also in the main text.

category imprint: Editorial revisions

issues: Errors in PE , Errors repeated in GE

b. 107-108

composition: WN 29, Waltz in E minor

in b. 107 & 107/131 in PE

in b. 107 & 108/132 in GE

..

The version of GE, in which the  mark is in bar 108/132, must be a mistake by the engraver. In the main text we give the text of PE.

category imprint: Differences between sources

issues: Errors in GE