



Verbal indications
b. 1
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composition: Op. 30 No. 4, Mazurka in C# minor
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It is difficult to say how the difference in the indications at the beginning of the piece occurred. As legato was not being removed in FC, it was probably added by Chopin in the stage of proofreading FE or to the basis thereof. One of these scenarios presented an opportunity for a possible removal of category imprint: Differences between sources; Editorial revisions issues: No initial dynamic marking , Authentic corrections of FE |
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b. 1
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composition: Op. 30 No. 4, Mazurka in C# minor
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Differences in the wording of the title – see the Mazurka in C minor no. 1. category imprint: Differences between sources; Editorial revisions |
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b. 1
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composition: Op. 30 No. 4, Mazurka in C# minor
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The absence of the indication in FC (→GE) suggests that the decision concerning a dedication came relatively late in the publishing process of the Mazurkas. See the Mazurka in C minor no. 1. category imprint: Differences between sources issues: Dedications |
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b. 13
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composition: Op. 30 No. 4, Mazurka in C# minor
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As in bar 1, the category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 41
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composition: Op. 30 No. 4, Mazurka in C# minor
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The in tempo indication was most probably added as part of the Chopinesque proofreading of FE. There is a similar situation in bar 57. The change of the preposition from in to a was an arbitrary decision of the engraver/reviser of EE. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |