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b. 62
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composition: Op. 30 No. 2, Mazurka in B minor
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As in bar 30, in the main text we give the pedal marks of FE (→EE), since in this Mazurka Fontana did not pay enough attention to the placement of category imprint: Differences between sources issues: Inaccuracies in FC |
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b. 64
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composition: Op. 30 No. 2, Mazurka in B minor
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This is the most significant difference between the authentic sources – FC and FE – in entire opus 30. The FE (→EE) version, which is a clear improvement of the Mazurka ending, must have been introduced by Chopin in the proofreading of or in the basis for FE instead of the FC (→GE) version. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Authentic corrections of FE , Bass register changes , Main-line changes |
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b. 64
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composition: Op. 30 No. 2, Mazurka in B minor
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In the version of this bar corrected by Chopin in FE (→EE) – see the note above – there are no pedal markings, which implies that the last octave is to be performed without the harmonic background of the previous chord, which was most probably intended by Chopin as emphasising the resolute nature of this ending. category imprint: Differences between sources |
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b. 64
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composition: Op. 30 No. 2, Mazurka in B minor
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As part of the correction changing the sound of entire bar 64 – see the note below – Chopin shortened the slur. A similar shortening was performed in GE2 as well, in spite of keeping the initial version of the ending – see bar 32. category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE |
after 3rd beat in 
