



Slurs
b. 94-95
|
composition: Op. 29, Impromptu in A♭ major
..
The slur in A (→GE1) ends one quaver earlier than in analogous bar 12. It is probably due to an imprecise notation. The slur was prolonged to c2 in GE2 (→GE3→GE4), a similar slur is also in EE. In FE the slur is not interrupted at all. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
||||
b. 100
|
composition: Op. 29, Impromptu in A♭ major
..
Unclear ending of the slur in A – we consider the slur to be too long. In FE, EE and GE2 (→GE3→GE4) bar 100 has a separate slur as in analogous bar 18. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
||||
b. 101-102
|
composition: Op. 29, Impromptu in A♭ major
..
In GE1 bars 101-102 are included under one slur. It is probably a result of misunderstanding of imprecise notation of A, in which the slightly extended beginning of the slur opens the new great stave. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , Embracing slurs |
||||
b. 103-104
|
composition: Op. 29, Impromptu in A♭ major
..
Both versions of slurring – one slur or two – were most probably developed by Chopin and may be treated equally. category imprint: Differences between sources |
||||
b. 112-113
|
composition: Op. 29, Impromptu in A♭ major category imprint: Differences between sources |