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b. 97-99
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composition: Op. 29, Impromptu in A♭ major
..
In the main text, we give Chopin fingering inscribed into FES in the analogous place of the first section of the Impromptu. Cf. General Editorial Principles, p. 17. category imprint: Differences between sources |
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b. 97-99
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composition: Op. 29, Impromptu in A♭ major
..
We consider interpreting the accents in A as long ones to be more probable, as they emphasise the imposition of longer rhythmic values (crotchets) on the triplet figuration. In A and GE1 there are no accents in bar 99, which can be considered as Chopin's inattention (which is characteristic for the reprise). The omission was partially corrected in GE2 (→GE3→GE4), where three first accents were placed. EE and FE already have all four signs, concordant with analogous bar 17. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
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b. 98
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composition: Op. 29, Impromptu in A♭ major
..
The sources differ in the range of dynamic hairpins. In A the hairpins begin under the 4th quaver and end on the penultimate one. In GE2 (→GE3→GE4) they were recreated in the same form. In GE the hairpins were extended on the entire bar, whereas in FE they were shortened by one quaver. In EE the indication was not considered at all. We adopt the version of A (GE2→GE3→GE4). category imprint: Differences between sources issues: Scope of dynamic hairpins |
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b. 98
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composition: Op. 29, Impromptu in A♭ major category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals |
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b. 98
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composition: Op. 29, Impromptu in A♭ major category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals |
