Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 29, Impromptu in A♭ major
The sources differ in the range of dynamic hairpins. In A the hairpins begin under the 4th quaver and end on the penultimate one. In GE2 (→GE3→GE4) they were recreated in the same form. In GE the hairpins were extended on the entire bar, whereas in FE they were shortened by one quaver. In EE the indication was not considered at all. We adopt the version of A (GE2→GE3→GE4).
Compare the passage in the sources »
category imprint: Differences between sources
issues: Scope of dynamic hairpins
notation: Articulation, Accents, Hairpins
