Issues : Omission of current key accidentals
b. 19-23
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A Chopin overlooked a few necessary flats in the R.H. part: in b. 19 d2, in b. 21 d3 and g2, in b. 22 d2 and d3. FC added only the first in b. 21; in addition, the copyist overlooked the of g2 in b. 23. FE also added only some of the necessary flats, next to d2(3) in b. 21-22, and – which is puzzling – also overlooked the of g2 in b. 23. GE and EE added all necessary accidentals. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in FC , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 19
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composition: Op. 28 No. 17, Prelude in A♭ major
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In the version prepared for print, the top note of the chord on the 5th quaver in the bar, interpreted literally, is an f1, since it is not accompanied by a relevant accidental in this bar. The following arguments prove that it was almost certainly Chopin's mistake:
category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Omission of current key accidentals , Errors of A , Deletions in A |
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b. 19
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composition: Op. 28 No. 22, Prelude in G minor category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omission of current key accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE |
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b. 20
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composition: Op. 10 No 2, Etude in A minor
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In the sources there are three enharmonically different forms of this chord. Two of them are inaccurately written: in CLI there are no flats lowering d to d and a to a and in FE there is no lowering d to d (which was corrected both in GE and EE). In the main text we give the notation adopted by Chopin in the version for publication. Cf. bar 22. category imprint: Differences between sources; Corrections & alterations issues: Accidentals in different octaves , Chopin's hesitations , Omission of current key accidentals , Accompaniment changes , Enharmonic corrections |
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b. 20
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composition: Op. 10 No 6, Etude in E♭ minor
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In A (→FE→GE1→GE2,→EE2→EE3) there is no raising G to G. This patent accuracy was corrected in FES and later editions. In the sources the natural raising g to g is before the first sustained semiquaver in the bar. We move it before the 4th note, according to General Editorial Principles, p. 3. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Omission of current key accidentals , Annotations in FES , Inaccuracies in A |