



In A Chopin overlooked a few necessary flats in the R.H. part: in b. 19 d2, in b. 21 d
3 and g
2, in b. 22 d
2 and d
3. FC added only the first
in b. 21; in addition, the copyist overlooked the
of g
2 in b. 23. FE also added only some of the necessary flats, next to d
2(3) in b. 21-22, and – which is puzzling – also overlooked the
of g
2 in b. 23. GE and EE added all necessary accidentals.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Errors in FE, Accidentals in different octaves, GE revisions, Omission of current key accidentals, FE revisions, Inaccuracies in FC, Fontana's revisions, Inaccuracies in A, Errors repeated in FE
notation: Pitch