Issues : Annotations in FED
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b. 7-8
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composition: Op. 25 No 1, Etude in A♭ major
category imprint: Differences between sources |
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b. 7
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composition: Op. 25 No 2, Etude in F minor
category imprint: Differences between sources |
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b. 7
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composition: Op. 25 No 7, Etude in C♯ minor
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The grace note indicating the manner of beginning the trill – from the top note – was written by Chopin in FED. Similarly in analogous bar 51. category imprint: Differences between sources |
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b. 7-9
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composition: Op. 21, Concerto in F minor, Mvt II
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Characteristic synchronisation signs of the parts of both hands, in the form of lines combining the notes that are supposed to be played simultaneously, were added next to the groups of small notes in bars 7 and 9 in FED. Similarly in bars 26 and 75. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
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b. 7
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composition: Op. 21, Concerto in F minor, Mvt II
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The fingering above the trill, written in FED most probably by Chopin, is a simplified notation, generally indicating the fingers with which the trill is to be played. It absolutely does not mean that the e category imprint: Graphic ambiguousness; Differences between sources |
3 note is to be repeated after d3 at the beginning of the trill. One can see another sign in this copy, which may be a fingering digit: the dash under the first d3 grace note may be considered a one. However, such an interpretation carries a risk of uncertainty, therefore, we do not include it in the main text.