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Issues : GE revisions
b. 605
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composition: Op. 31, Scherzo in B♭ minor
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Just like in analogous b. 154, the indication category imprint: Differences between sources issues: Errors in GE , GE revisions , fz – f |
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b. 606
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, the last note in the R.H. is a semiquaver, which is inconsistent with the demisemiquaver rest that precedes it. We correct this mistake in an obvious manner by shortening that note to a demisemiquaver. In GE and EE, the place was revised in the same way. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
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b. 606-607
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composition: Op. 31, Scherzo in B♭ minor
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Just like in b. 23-24, in FE (→EE) this pair of bars was replaced with a double bar with a two-bar rest marked with the digit 2. In GE1 the bars were not combined, yet in each of them both rests were provided with the digits 1. In the main text we preserve the notation of A (→FC), restored also in GE2 (→GE3). category imprint: Differences between sources issues: GE revisions , FE revisions |
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b. 607-608
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composition: Op. 11, Concerto in E minor, Mvt I
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Omission of two subsequent slurs in a sequence of similar figures of accompaniment must be an inaccuracy, although it is uncertain whether it was committed in FE (→GE1→GE2) or still in [A]. This is how it was already assessed in EE and GE3 (see also bar 599 and 611). category imprint: Differences between sources issues: GE revisions |
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b. 607
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composition: Op. 11, Concerto in E minor, Mvt I
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Bars 607 and 609 are another example of bars – see bars 601-603 – of FE that probably represent the original notation; in the majority of similar places, Chopin replaced that notation with the one used by GE and EE in bar 607. GE adopted that notation also in bar 609, whereas in EE, its own notation from bars 601-603 was repeated in that bar. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |