Issues : Inaccuracies in GC
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b. 20-22
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composition: Op. 38, Ballade in F major
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In all sources except for A, the slurs of the L.H. are not separated in these bars. Presumably, both the copyist and the engravers considered the gaps to be an inaccuracy of the slurs' links in A, especially that the slurs of the R.H. were actually extended in these places. category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies , Inaccuracies in GC |
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b. 20-22
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composition: Op. 25 No 3, Etude in F major
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In GC there are no category imprint: Differences between sources issues: Errors resulting from corrections , Inaccuracies in GC |
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b. 20-24
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composition: Op. 25 No 3, Etude in F major
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The majority of the sources are missing some of the necessary cautionary signs (flats), which, however, only to the minimal extent impedes the correct interpretation of the text. As it can be concluded from the notation of FE, probably the closest to the notation of [A], Chopin generally omitted the sign next to the note, which already appeared in the same bar, with a relevant sign, one octave lower or higher (in the discussed fragment, FE lacks 12 flats). In GC and EE1 the notation is more precise, further additions were also introduced in EE2 (→EE3), yet only GE has a fully correct text. Similarly in bars 25-28. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , EE inaccuracies , Inaccuracies in GC |
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b. 21
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composition: Op. 38, Ballade in F major
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The middle component of the last chord in the R.H. was certainly corrected in GC from f1 to g1. It is hard to state clearly whether it is Gutmann's own correction or whether it was Chopin that noticed and corrected the wrong pitch while reviewing GC. Cf. the annotation in bar 13. category imprint: Graphic ambiguousness; Corrections & alterations; Source & stylistic information issues: Inaccuracies in GC , Alterations in GC |
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b. 23
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composition: Op. 25 No 10, Etude in B minor
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In GC and EE1 there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , EE inaccuracies , Inaccuracies in GC |
signs at the end of bars 20 and 22, which, in this context, should be considered as inaccuracy. It resulted from self-corrections of Chopin, who changed the pedalling he wrote in these bars.
lowering F
to F in the 1st chord in the bar. This patent inaccuracy was corrected in