Issues : Annotations in FEH
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b. 463
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering of FEH, written most probably by the pupil, may be surprising, especially since in a similar figure two bars later, a different, more natural fingering was indicated. category imprint: Differences between sources |
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b. 464
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composition: Op. 11, Concerto in E minor, Mvt I
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Both sources give different digits, yet the same fingering, compliant with the one Chopin gave in an analogous passage 2 bars later. A similar compliance between EE and FEH is present in the two remaining places in bars 464-465 provided with fingering. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 464-465
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 465
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composition: Op. 11, Concerto in E minor, Mvt I
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As in many other situations, the compliance between the fingering of EE and FEH does not add to the small likelihood of the indications being authentic. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 472-474
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composition: Op. 11, Concerto in E minor, Mvt III
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According to us, the majority of the digits visible in FEH in bars 472-475 was not written by Chopin. Two 'ones' that could be ascribed to him are discussed in a separate note. category imprint: Differences between sources |
