



b. 12-13
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A, the slur starting in bar 12, last in line, indicates a continuation, but its ending is absent from bar 13. We adopt a natural contextual interpretation in accord with the FE (→EE) version. In FC (→GE), the copyist overlooked this slur like the previous one. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , Errors of FC , Uncertain slur continuation |
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b. 12-14
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composition: Op. 28 No. 21, Prelude in B♭ major
category imprint: Differences between sources issues: EE revisions |
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b. 12-13
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composition: Op. 28 No. 21, Prelude in B♭ major
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In the main text we include the fingering written by Chopin into FE. category imprint: Differences between sources |
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b. 12
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composition: Op. 28 No. 21, Prelude in B♭ major
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In the main text we give a category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED |
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b. 12-13
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composition: Op. 28 No. 21, Prelude in B♭ major
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The pedalling markings, deviating from the scheme of the previous bars, were intended by Chopin, which is evidenced by the mark at the end of b. 12 having been crossed out. However, it cannot be ruled out that the uncommon placement of the markings could have been the reason they were overlooked by the engraver of FE, who, having his doubts to the correctness of the notation of A, preferred to avoid a possible mistake. category imprint: Differences between sources issues: Errors in FE |