Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 28 No. 21, Prelude in B♭ major
in 
The pedalling markings, deviating from the scheme of the previous bars, were intended by Chopin, which is evidenced by the mark at the end of b. 12 having been crossed out. However, it cannot be ruled out that the uncommon placement of the markings could have been the reason they were overlooked by the engraver of FE, who, having his doubts to the correctness of the notation of A, preferred to avoid a possible mistake.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Errors in FE
notation: Pedalling
