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Issues : EE inaccuracies
b. 4-12
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composition: Op. 10 No 11, Etude in E♭ major
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In A in bar 4 (and bar 12, which repeats this bar) the category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , EE inaccuracies |
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b. 5-9
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composition: Op. 24 No. 1, Mazurka in G minor
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Missing in bars 5 and 9 in EE are the staccato dots under D. This is probably the engraver's fault. category imprint: Differences between sources issues: EE inaccuracies |
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b. 5
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The sources do not state clearly which quaver is affected by the category imprint: Graphic ambiguousness; Differences between sources issues: EE inaccuracies , Inaccuracies in GC |
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b. 5
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composition: Op. 16, Rondo in E♭ major
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In the absence of [A], it is difficult to determine whether the curved line over the g notes in FE (→GE,EE) is a tie sustaining those notes or a motivic slur (in Chopin's autographs, the differentiation is possible due to the shape of the curved lines). According to us, it is a motivic slur that is more likely here. category imprint: Graphic ambiguousness; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies , Tie or slur |
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b. 5-6
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composition: Op. 16, Rondo in E♭ major
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In all sources, 3 subsequent accents in bars 5-6 are short. We consider it to be an inaccuracy of the engraver and suggest long accents in the main text:
category imprint: Editorial revisions issues: Long accents , Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |