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Issues : Omission of current key accidentals
b. 11
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composition: Op. 28 No. 9, Prelude in E major
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In A (→FE) and CGS, there are no accidentals in the L.H. part in the entire bar. Chopin's patent inaccuracy was corrected by Fontana in FC (→GE), who added naturals lowering G category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , Omission of current key accidentals , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 12
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composition: Op. 10 No 8, Etude in F major
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The chord which opens the bar in A is written without the category imprint: Differences between sources; Corrections & alterations issues: Omission of current key accidentals , Errors of A , Authentic corrections of FE |
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b. 12
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composition: Op. 25 No 11, Etude in A minor
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In GC and FE there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of GC |
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b. 12
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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In GC (→GE) and FE1 (→FE2→EE1) there are no naturals raising the 10th quaver to d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , Omission of current key accidentals , Authentic corrections of FE , FE revisions , Inaccuracies in GC , Inaccuracies in A |
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b. 12-14
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composition: Op. 28 No. 6, Prelude in B minor
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The version of A (→FC→GE1), in which these three bars are based on the c category imprint: Differences between sources issues: GE revisions , Foreign hand additions in manuscripts , Omission of current key accidentals , Errors of A , FE revisions , Last key signature sign |