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Issues : GE revisions
b. 1
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composition: Op. 10 No 5, Etude in G♭ major
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The indications of triplets are our addition. The digits, together with the slurs, were also added in the entire bar in GE4 (→GE5). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 1
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composition: Op. 10 No 6, Etude in E♭ minor
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In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and the dedication (in EE) most probably come from the editors. See the Etude in C major, No. 1, bar 1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Dedications , GE revisions |
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b. 1-4
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composition: Op. 10 No 6, Etude in E♭ minor
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Each of four slurs in the L.H. written in A embraces the entire bar, despite the fact that due to the inconvenient graphic layout, the notation is not always precise. In FE (→EE2) only two out of them were recreated, in bars 2-3. Similarly in GE1, in which the slur in bar 3 is led only to the penultimate note, a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , Inaccurate slurs in A , GE revisions |
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b. 1
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composition: Op. 10 No 7, Etude in C major
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In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and dedication (in EE) most probably come from the editors. See Etude in C, No. 1, bar 1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Dedications , GE revisions |
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b. 1-2
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composition: Op. 10 No 7, Etude in C major
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In A (→FE→EE,GE1→GE2) there are naturals before the upper notes on the last semiquaver of each group (b1). The unjustified accidentals were removed in GE3 (→GE4). Cf. bars 4 and 12, as well as 37-39. category imprint: Differences between sources issues: GE revisions , Cautionary accidentals , Last key signature sign |