Issues : Changes of metre
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b. 1
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composition: Op. 25 No 12, Etude in C minor
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The use of time signature surprises only in GE1, as in FE the indication was not used in the Etudes – contrary to the manuscripts – at all, neither in Op. 25 nor in Op. 10 and the Etude in F minor, Dbop. 36 No. 1 (cf. also the Impromptu in A major, Op. 29). In any case, the correctness and authenticity of the time signature is unquestionable due to the compatible version of FC and EE. The correct time signature was returned in GE2 (→GE3). category imprint: Differences between sources issues: Changes of metre , Inaccuracies in GE , Inaccuracies in FE , GE revisions , 4/4 or 2/2 |
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b. 1
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composition: Op. 25 No 11, Etude in A minor
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The use of the time signature surprises only in GE1, as in FE the indication was not used in the Etudes – contrary to the manuscripts – at all, both in Op. 25 and in Op. 10 and the Etude in F minor, Dbop. 36 No. 1 (cf. also the Impromptu in A major, Op. 29). In any case, the correctness and authenticity of the time signature is undeniable towards the compatible version of GC and EE. The correct time signature was returned in GE2 (→GE3). category imprint: Differences between sources issues: Changes of metre , Inaccuracies in GE , Inaccuracies in FE , GE revisions , 4/4 or 2/2 |
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b. 1
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composition: Op. 28 No. 9, Prelude in E major
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In A one can see a crossing-out proving that the time signature was changed from to . category imprint: Corrections & alterations; Source & stylistic information issues: Changes of metre , Corrections in A , Deletions in A |
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b. 1
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A one can see that Chopin initially wrote to mark the time signature on both staves. Moreover, the eventually left 6/8 reveal (also on both staves) minor crossings-out, which seem to be digits preceding the digits 6, although it is difficult to guess what their meaning could be. Anyways, it is an example of Chopin's hesitation, since the time signature in FCI, which was written earlier, is 6/8, like the final version. category imprint: Corrections & alterations; Source & stylistic information issues: Changes of metre , Corrections in A , Chopin's hesitations , Deletions in A |
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b. 1
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composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations issues: Changes of metre , 4/4 or 2/2 |
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