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Issues : Hairpins denoting continuation
b. 23-24
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composition: Op. 10 No 4, Etude in C♯ minor
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In bars 21-26 the dynamic signs were not marked in AI. In bars 23-24, FE (→EE) has two separate signs, the second out of which (in bar 24) was, however, not included in GE, which can mean that Chopin added it in the last proofreading of FE. According to us, the melodically homogeneous context suggests that category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , EE inaccuracies , Hairpins denoting continuation |
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b. 25-26
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composition: Op. 21, Concerto in F minor, Mvt II
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In FE (same as in our transcripts) bar 26 falls on a new line. The division of the category imprint: Differences between sources issues: Inaccuracies in FE , Errors in EE , Hairpins denoting continuation |
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b. 26-27
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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One category imprint: Differences between sources issues: FE revisions , Hairpins denoting continuation |
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b. 36-37
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composition: Op. 45, Prelude in C♯ minor
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For the main text – as in the remaining similar fragments – we adopt the version based on GE. The version of FE can be considered as an equivalent variant of the notation. EE has one sign, similarly to GE, which results from the interpretation of the signs of FE as the ones marking the continuation of the change of dynamics. category imprint: Differences between sources issues: EE revisions , Hairpins denoting continuation |
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b. 36-37
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composition: Op. 28 No. 5, Prelude in D major
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In A this bar opens a new line, while the category imprint: Graphic ambiguousness; Differences between sources |