



b. 11-12
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composition: Op. 28 No. 15, Prelude in D♭ major
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In the main text we give a fingering resulting from the complementary and partially identical entries in FED and FES. The constant position of the thumb on c category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES |
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b. 11
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A (→FC) this bar is written as a repetition of the preceding one (with the use of •/• marks). A similar situation is to be found in b. 13 and 35 and 37. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 11
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composition: Op. 28 No. 18, Prelude in F minor
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In the main text, we include the fingering coming from Chopin, and written into FED. category imprint: Differences between sources |
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b. 11-12
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composition: Op. 28 No. 7, Prelude in A major
category imprint: Differences between sources |
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b. 11-16
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composition: Op. 28 No. 17, Prelude in A♭ major
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These bars are marked in FCI in an abridged manner as a repetition of b. 3-8. The version of this fragment (appearing twice) differs both from b. 3-8 and 11-16 of the final version; however, the differences concern textural issues only – position and density of chords as well as assignment of notes to the right or left hand. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes |