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b. 11-12

composition: Op. 28 No. 15, Prelude in D♭ major

Fingering written into FED

Fingering written into FES

No teaching fingering

Fingering suggested by the editors

..

In the main text we give a fingering resulting from the complementary and partially identical entries in FED and FES. The constant position of the thumb on c2 is noteworthy. See also the fingering in b. 15-16 and 16-18.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FES

b. 11

composition: Op. 28 No. 16, Prelude in B♭ minor

..

In A (→FC) this bar is written as a repetition of the preceding one (with the use of /• marks). A similar situation is to be found in b. 13 and 35 and 37.

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 11

composition: Op. 28 No. 18, Prelude in F minor

Fingering written into FED

No teaching fingering

..

In the main text, we include the fingering coming from Chopin, and written into FED

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 11-12

composition: Op. 28 No. 7, Prelude in A major

    in A (→FCGE, →FEEE)

        in CXI

category imprint: Differences between sources

b. 11-16

composition: Op. 28 No. 17, Prelude in A♭ major

..

These bars are marked in FCI in an abridged manner as a repetition of b. 3-8. The version of this fragment (appearing twice) differs both from b. 3-8 and 11-16 of the final version; however, the differences concern textural issues only – position and density of chords as well as assignment of notes to the right or left hand.

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Accompaniment changes