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b. 11

composition: Op. 28 No. 9, Prelude in E major

 in A, contextual interpretation

No sign in FC (→GE), FE (→EE) & CGS
..

Like in the previous two bars, we assume the bottom arm of the  hairpin in A to be reliable. The mark is absent in all the remaining sources, which is almost certainly a result of oversights:

  • A few overlooked elements prove that Fontana was distracted at the time of writing the last line of FC – in addition to , it is also the L.H. slur and dashes marking the range of crescendo that are missing.
  • While working on the last line, the engraver of FE probably omitted the stage of adding dynamic markings, since the  hairpin is neither in b. 10 nor in b. 11.

category imprint: Graphic ambiguousness; Differences between sources

issues: Errors in FE , Scope of dynamic hairpins , Errors of FC , Inaccuracies in A

b. 11

composition: Op. 28 No. 9, Prelude in E major

Dashes in A (→FE→EE)

No dashes in FC (→GE)

Dashes in CGS
..

The missing dashes marking the range of cresc. must be an oversight of Fontana in FC (→GE). In CGS the dashes reach only the middle of the bar, which is one of many minor inaccuracies of that copy.

category imprint: Differences between sources

issues: Errors of FC , Inaccuracies in CGS

b. 11

composition: Op. 28 No. 9, Prelude in E major

..

The cautionary sharp before f is present in all sources except for EE1. It means that the overlooked, and perhaps removed accidental, was then added in EE2, perhaps as part of the comparison of the text with GE1, undertaken in EE2.

category imprint: Differences between sources; Source & stylistic information

issues: EE revisions , Errors in EE , Cautionary accidentals

b. 11

composition: Op. 28 No. 9, Prelude in E major

..

In A (→FE) and CGS, there are no accidentals in the L.H. part in the entire bar. Chopin's patent inaccuracy was corrected by Fontana in FC (→GE), who added naturals lowering G1-G to G1-G and D1-D to D1-D. An identical addition was introduced in EE. The accidentals were also added in FED.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , Omission of current key accidentals , Fontana's revisions , Inaccuracies in A , Errors repeated in FE

b. 11

composition: Op. 28 No. 10, Prelude in C♯ minor

..

In the main text we add cautionary sharps before d1 and D.

category imprint: Editorial revisions