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b. 11

composition: Op. 2, Variation IV, primitive version

3rd note b in AsI

3rd note g in A
..

In AsI the 3rd hemidemisemiquaver in each group is b. However, the manuscript bears traces of hesitation with respect to the pitch of these groups – in three of them, over the 4th note (c) one can see an added notehead of a g note, crossed out in the 1st and 3rd groups. Therefore, it seems that Chopin pondered replacing the final c note with g, yet he gave up on the idea. The A text, in which g replaced not the 4th, but the 3rd note in the passages (b) would mean that Chopin changed the 2nd pair of hemidemisemiquavers in these figures 3 times – he started from b-c, which he changed to b-g, then he returned to initial b-c, to eventually change them to g-c.

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Chopin's hesitations , Accompaniment changes , Corrections of AI

b. 11

composition: Op. 2, Variation IV, primitive version

..

AsI includes a few unjustified cautionary accidentals in this bar: a  to the R.H. b1 note at the beginning of the bar, a  to e1 in the 2nd and 4th L.H. hemidemisemiquaver groups and a  to e2 in the 2nd R.H. group.

category imprint: Differences between sources

issues: Cautionary accidentals

b. 11

composition: Op. 2, Variation IV, primitive version

g3 in AsI

b3 in A
..

The g3 note featured in AsI is compliant with g3 in bar 15, which is a counterpart of bar 11 in the repetition of this four-bar phrase. The idea of diversifying the melodic line here (introduced in A) was then also used in the final version of this variation.

category imprint: Differences between sources; Corrections & alterations

issues: Main-line changes

b. 11-15

composition: Op. 63 No. 1, Mazurka in B major

in b. 11, 13 & 15 in AI

No markings in FE (→GE,EE)
..

category imprint: Differences between sources; Corrections & alterations

b. 11

composition: Op. 63 No. 2, Mazurka in F minor

c in As

C in FE (→GE,EE)
..

As in bar 4, when preparing the Mazurka for printing, Chopin moved the bass an octave lower.

category imprint: Differences between sources; Corrections & alterations

issues: Bass register changes