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b. 540-541
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composition: Op. 39, Scherzo in C♯ minor
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In EE the slur begins as early as in b. 541, close to its beginning even though there are no notes (no even rest) there. category imprint: Source & stylistic information issues: EE inaccuracies |
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b. 540-565
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composition: Op. 39, Scherzo in C♯ minor
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No continuation of the dashed line determining the scope of cresc. on the new page in FE (from b. 542) must be an error. The replacemnent of a typical abbreviation with a full word split into syllables is a characteristic revison of EE. In the main text we present the GC (→GE) version. category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 540
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composition: Op. 11, Concerto in E minor, Mvt I
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According to us, the use of a three-note chord is also acceptable here, like in the analogous bar of exposition. category imprint: Editorial revisions |
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b. 540-555
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: |
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b. 540
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composition: Op. 11, Concerto in E minor, Mvt I
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In the analogous bar of exposition (bar 185), a different finger was written down in FEH, third. Both fingering options are convenient, yet the 3rd finger seems to be more natural in the context of the next chord. category imprint: Differences between sources |
