b. 316
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we take into account the addition of the Solo indication, introduced in GE, undoubtedly necessary after the 20-bar Tutti. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 316-319
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we add pedalling after two previous appearances of this sequence. category imprint: Editorial revisions |
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b. 316
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we add a cautionary before d2. The mark was added already in GE; it was also added in pencil in FESf. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 316
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we suggest a long accent due to the context, typical of such an accent, i.e. a long, syncopated note. In the absence of preserved manuscripts, we cannot verify whether this detail is compliant with the notation of [A], while in Chopin's pieces we encounter numerous examples of inaccuracies (sometimes quite manifest) in the reproduction of long accents by the editions (cf., e.g. the Prelude in F minor, Op. 28 No. 8, b. 1-2). category imprint: Editorial revisions issues: Long accents |
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b. 316
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composition: Op. 2, Variations, complete
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The absence of the beginning of the slur the ending of which can be seen in a new line in bar 317 must be a mistake by the engraver of GE (→FE,EE). See bar 317. category imprint: Differences between sources issues: Errors in GE |