|
b. 261
|
composition: Op. 42, Waltz in A♭ major
..
In all base texts Chopin added a category imprint: Differences between sources issues: GE revisions |
||||||||
|
b. 261
|
composition: Op. 42, Waltz in A♭ major
..
The pedalling in this bar was written by Chopin only in the proofs of FE. Similarly in bars 273-276. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
||||||||
|
b. 261
|
composition: Op. 21, Concerto in F minor, Mvt I category imprint: Differences between sources issues: Errors in GE , GE revisions |
||||||||
|
b. 261-263
|
composition: Op. 21, Concerto in F minor, Mvt I
..
We give the cresc. marking, together with the dashes marking its range, after A (see also bars 263-264). In GE the marking was put slightly further and the dashes were overlooked, whereas FE (→EE1) does not have it at all. The absence of the indication in FE could be explained by a mistake of that edition or by a repetition of the original error of GE1, which was corrected in GE1 only in the last phase of proofreading. The indication was added in EE2 (→EE3) on the basis of comparison with GE1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in GE |
||||||||
|
b. 261-264
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In the main text we give the unquestionable two-bar long slurs of A. Both the division of the slurs in GE1 (→FE→EE) and their combination in GE2 must be arbitrary changes – a typical manner of the engraver of GE1 and a revision (without any apparent reason) of GE2. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
sign. In .png)
, used by the composer only occasionally.
