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Issues : Authentic corrections in GC
b. 198-204
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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category imprint: Differences between sources; Editorial revisions issues: GE revisions , No pedal release mark , Authentic corrections in GC |
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b. 202-204
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composition: Op. 38, Ballade in F major
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The ending of the Ballade has a few versions proving Chopin's hesitations. We present them below in a chronological order:
As it can be seen, Chopin had two main concepts of the Ballade's endings, "open" and "close." According to us, it is the version No. 1 that presents the first of them in the most thoughtful manner, while in the case of the latter it is the version No. 4. In the main text we give the version No. 1, enriched with variant, characteristic for Chopin grace note added in GC. category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Errors resulting from corrections , Terzverschreibung error , Deletions in A , Authentic corrections of FE , Errors of GC , Authentic corrections in GC |
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b. 203
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composition: Op. 35, Sonata in B♭ minor, Mvt I category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections in GC |
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b. 208
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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FE1 (→FE2→FE3) lacks in a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Cautionary accidentals , FE revisions , Authentic corrections in GC |
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b. 275-276
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The category imprint: Differences between sources; Corrections & alterations issues: Errors in GE , Authentic corrections in GC |