|
b. 220-221
|
composition: Op. 23, Ballade in G minor
..
In A, there are no rests in the top voice. Chopin would often omit such rests in obvious situations; however, he was not always consistent – cf. b. 216 (without rests) and 218 (with a rest). Anyways, the two-part notation is marked by the direction of the stems. This notation was reproduced by FE, yet rests were added in b. 221, perhaps at Chopin's request. Therefore, in this situation b. 220 having been left without a rest must be considered an inadvertence, hence, to avoid doubts, we add a rest also in this bar in the main text. In GE and EE the absence of a rest prompted the engravers to make the stem of the c minim point upwards, which turned an inaccurate notation into a wrong notation. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE , Errors in GE , GE revisions , Authentic corrections of FE , FE revisions |
|||
|
b. 220-221
|
composition: Op. 23, Ballade in G minor
..
In A (→FE) there are neither cautionary naturals to f1(2) nor flats lowering a2 to a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
|||
|
b. 220
|
composition: Op. 49, Fantaisie in F minor
..
The FE (→EE1) version, identical to the one in bar 204, is almost certainly earlier and was changed by Chopin in A after [FC] had been finished. Such rhythmic changes to the melody, introduced in the last stage of works on a piece, are to be found in Chopin's pieces on a number of occasions – see the Mazurka in G minor, Op. 24 No. 1, bar 59. The corrections visible here in A seem to concern a different version, probably erroneous – Chopin probably deleted here the a category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Deletions in A |
|||
|
b. 220
|
composition: Op. 49, Fantaisie in F minor
..
After adding the transitional g1 quaver on the 1st beat in A, Chopin remembered to remind us that on the 3rd beat g category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors resulting from corrections , Cautionary accidentals , Errors of A , Errors repeated in GE |
|||
|
b. 220
|
composition: Op. 49, Fantaisie in F minor
..
In FE1 (→EE) the bass crotchet on the 3rd beat is an F category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions , Errors repeated in EE |
2 (in both bars) in the main text. 
was added to f3. 
1 and g
only to the 2nd quaver in the triplet, g