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Issues : Errors in the number of ledger lines
b. 26
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composition: WN 17, Polonaise in B♭ major
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On the 4th quaver of the bar, JC has the a1 note, similarly as on the second. It is almost certainly a mistake, perhaps of Chopin himself committed in [AI]. Such a type of errors belongs to the most often both in autographs and copies. category imprint: Differences between sources issues: Terzverschreibung error , Errors in the number of ledger lines , Errors of JC |
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b. 31-32
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composition: Op. 10 No 9, Etude in F minor
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In both bars AI features a category imprint: Differences between sources issues: Terzverschreibung error , Errors in the number of ledger lines |
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b. 39
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composition: Op. 10 No 10, Etude in A♭ major
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Despite the fact that the a category imprint: Interpretations within context; Differences between sources issues: Terzverschreibung error , Errors in the number of ledger lines , Errors of A , Authentic corrections of FE |
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b. 44
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composition: Op. 27 No 2, Nocturne in D♭ major
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In the majority of sources there is no For writing that note Chopin used 4 ledger lines (one too many). He corrected his mistake by deleting the lowest ledger line. Interestingly, it seems that the engraver of GE did not notice the correction, as that edition has got visible traces of moving the note head down by a third. category imprint: Differences between sources; Corrections & alterations issues: Accidentals in different octaves , Terzverschreibung error , GE revisions , Errors in the number of ledger lines |
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b. 49
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composition: Op. 25 No 6, Etude in G♯ minor
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Compliance of FC (→GE) and EE allows to suppose that B1 was also in [A], while G category imprint: Differences between sources issues: Errors in EE , Terzverschreibung error , Errors in the number of ledger lines , Authentic corrections of FE , Errors of FC |