



Issues : Terzverschreibung error
b. 16
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composition: Op. 10 No 10, Etude in A♭ major
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Both versions may be considered as justified here, both from the musical and source point of view. In the version of A Chopin avoids tripling the leading tone g1. The version of FE (→GE,EE) may be considered as accepted by Chopin, who introduced changes, among others, exactly in this bar (pedalling) while proofreading FE. The accompaniment's figure in this version has a similar scheme to the figures in the preceding bar and is identical to the figure used in bar 8. In the main text we adopt the version of the base source, i.e. FE. category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error |
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b. 36
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composition: Op. 10 No 10, Etude in A♭ major
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In the main text we give the unambiguous version of A, in which the entire 2nd half of the bar is marked as a repetition of the 1st one. The version is somewhat confirmed by an analogous figure in the melodically and harmonically similar bar 24. As far as the sound is concerned, the version of FE (→GE,EE) is perfect, so it could be a result of Chopin's proofreading, yet possible traces of performing this correction are questionable. category imprint: Differences between sources issues: Terzverschreibung error , Authentic corrections of FE |
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b. 39
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composition: Op. 10 No 10, Etude in A♭ major
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Despite the fact that the a category imprint: Interpretations within context; Differences between sources issues: Terzverschreibung error , Errors in the number of ledger lines , Errors of A , Authentic corrections of FE |
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b. 66
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composition: Op. 10 No 10, Etude in A♭ major
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Initially, the erroneous version of GE – with g1 – was also in FE, in which, however, this g1 was changed to b category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error , Authentic corrections of FE |