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b. 8-25
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composition: Op. 64 No 2, Waltz in C♯ minor
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It is not easy to evaluate how the difference between the slurring of sources in bars 8-9 (and similarly in bars 24-25) occurred. A includes two slurs in both places, although for the first time, when bar 8 appears at the end of the text's line, one could consider the slur in bar 9 to be a continuation of the previous. One-bar slurs are also in AI (except for bar 9, devoid of a slur). In this situation, one has to assume that the slurs of FE (→EE,GE1op,GE1no2→#GE2op2), combined in both places, could have been a result of Chopin's intervention. However, without being sure in this respect, in the main text we give the slurring of A, confirmed by AI. The version of FE, with a phrasing combining structural divisions (cf., e.g., the Waltz in A category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions , Authentic corrections of FE |
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b. 8
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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In GC the 10th quaver in the L.H. is a g. The mistake was corrected in GE, probably on the basis of analogy to the previous, similarly constructed triplets in this bar and in bar 6. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of GC |
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b. 8-24
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composition: Op. 64 No 2, Waltz in C♯ minor
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In bars 8 and 24 there are no accidentals in the part of the L.H. in the autographs. In bar 8 FE added – perhaps at Chopin's request – a cautionary category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: EE revisions , GE revisions , Authentic corrections of FE |
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b. 8-16
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composition: Op. 64 No 1, Waltz in D♭ major
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We add a cautionary category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 8
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Same as bars 2, 5 and 12-13, in GC bar 8 is written in an abbreviated manner with •/• signs (one on each stave). The interpretation of this notation, undoubtedly repeated after [A], turned out to be not entirely clear – see bars 7-8. category imprint: Source & stylistic information issues: Abbreviated notation of A |
No. 3, bars 40-41), characteristic for Chopin, particularly in later pieces, can be considered to be (perhaps) an authentic variant.
before d
, which was repeated in all editions. In 
next to g