mUltimate Chopin

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b. 143

composition: Op. 64 No 3, Waltz in A♭ major

b1 in As & FE (→EE)

b1 in A & GE
..

The missing  in A before the last quaver is probably Chopin's mistake – the sign is in As and it was added in the last proofreading of FE (→EE), not included in GE.

category imprint: Interpretations within context; Differences between sources

issues: Errors of A , Authentic corrections of FE

b. 143-144

composition: Op. 64 No 3, Waltz in A♭ major

d2 in As, FE (→EE,GE1Ab→GE2Ab) & GE2op (→GE3op)

d2 in A & GE1op
..

The absence of a  before the 4th quaver in bar 144 is probably Chopin's mistake (cf. bar 143). The sign is present in As and it was added in the proofreading of FE (→GE,EE; in GE1op it was misplaced in bar 143).

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Errors in GE , Errors of A , Authentic corrections of FE

b. 143

composition: Op. 64 No 2, Waltz in C♯ minor

No  in A & EEW1

No pedalling in GE1no2

 &  in remaining sources

 i () suggested by the editors
..

In the main text we suggest a variant solution, as the absence of  in A may be a result of Chopin's uncertainty about the place where the pedal's release should be marked, whereas the authenticity of the addition performed in FE is not entirely sure.

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 143

composition: Op. 21, Concerto in F minor, Mvt I

f2 in A (literal reading→GE1→FE)

f2 in A (contextual interpretation) & EE

f2 in GE2
..

Before the penultimate note in A (→GE1→FE) there is no accidental specifying whether it is to be f2, in accordance with the figuration's logic, or f2, in accordance with the orthographic rules. In this kind of figures, transferred by an octave, Chopin would often omit repetitions of accidentals, considering them to be obvious. The fact that he heard f2 here is proved by cautionary naturals before the f1-f2 octave in the next bar, added in the proofreading of FE (→EE), most probably by Chopin. In this situation, in the main text we adopt the version with f2. It is also in EE, in which a  was probably added after having taken into account cautionary naturals (cf. bar 171). GE2 opted for the version with f2, adding a  before it.

category imprint: Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 143

composition: Op. 21, Concerto in F minor, Mvt I

Long accet in A (→GE1)

No mark in FE (→EE)

 in GE2
..

The missing accent in FE (→EE) is most probably an oversight. In GE2, the long accent, quite accurately reproduced in GE1, was changed to a much longer  hairpin.

category imprint: Differences between sources

issues: Errors in FE