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b. 174
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In FE the oversight of the clearly written slur in A seems to be a mistake. However, taking into account the recitative and culminant character of this motif, one cannot exclude the deletion of the slur by Chopin in the proofreading of FE1. In GE and EE the slur was added probably after analogy with the previous bars. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Authentic corrections of FE |
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b. 174-175
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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A comparison with FE, which is also based on [A], suggests that the category imprint: Differences between sources issues: EE revisions , Scope of dynamic hairpins , Errors of GC |
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b. 174-176
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composition: Op. 19, Bolero
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The slurs encompassing two quavers in the L.H. at the transition between bars 174 and 175 and 175 and 176 are present only in GE, in which they could have been added by Chopin. EE2 (→EE3) also have slurs in these places, perhaps under the influence of GE; however, the slurs combine the bottom notes of the dyads and they were arbitrarily added for all double quavers in the L.H. in bars 174-177. category imprint: Differences between sources issues: EE revisions , Authentic corrections of GE |
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b. 174
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composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources issues: Errors in GE |
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b. 174
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composition: Op. 21, Concerto in F minor, Mvt I
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The naturals before fourths, opening each of the group of semiquavers, are written in A (→GE1→FE) only in the 1st and 4th groups. EE and GE2 include the correct text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Errors in GE , GE revisions |
in bar 174 in 
