



b. 7
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composition: Op. 21, Concerto in F minor, Mvt III
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The first two fingering digits missing in this bar is certainly an oversight of FE (→EE1). The digits were added in EE2 (→EE3). category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 7
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composition: Op. 21, Concerto in F minor, Mvt III
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category imprint: Differences between sources issues: GE revisions |
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b. 7
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composition: Op. 11, Concerto in E minor, Mvt I
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category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 7-8
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, it is unclear from which note the slur begins. When interpreted literally, it seems to be encompassing three notes, from the e1 semiquaver. However, according to us, the shape of the line suggests that Chopin started writing it earlier, yet the ink did not flow out immediately. From the musical point of view, it would be a slur beginning already from the c2 quaver that would be most natural; however, reluctant to excessively intervene in the graphic image of music, in the main text we suggest a slur from the note that directly precedes its visible ending. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Inaccurate slurs in A , GE revisions |
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b. 7
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composition: Op. 16, Rondo in E♭ major
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In the chord in the middle of the bar, GE1 has a b category imprint: Differences between sources issues: Errors in GE , GE revisions |