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b. 7-8
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composition: Op. 25 No 1, Etude in A♭ major
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It is unclear on which ground GE embraces these bars with one slur. According to us, it is a result of misunderstanding A. One slur is, however, also present in FE and EE, hence this version may be considered as an equally valid alternative to two slurs written in AI and A. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 7-8
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composition: Op. 25 No 1, Etude in A♭ major
category imprint: Differences between sources |
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b. 7
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composition: Op. 25 No 1, Etude in A♭ major
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In the first three figures the L.H. in AI has a b category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 7-8
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composition: Op. 25 No 1, Etude in A♭ major
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In AI in both bars the 3rd figure in the R.H. preserves the regular melodic shape, i.e. the last two notes of the sextuplet are the same as the second and third note. Chopin changed it in A (→GE), correcting the already written original version. The remaining sources also include the final version. category imprint: Differences between sources; Corrections & alterations issues: Deletions in A , Accompaniment changes |
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b. 7
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composition: Op. 25 No 1, Etude in A♭ major
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The version of #CFP, although possible from the harmonic point of view, is most probably simply a mistake. category imprint: Differences between sources issues: Errors of CDP |
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