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b. 7-17

composition: Op. 21, Concerto in F minor, Mvt II

..

In A the presence of staccato dots over the bass notes in all figures of this type, both whole-bar (bars 7-8) and half-bar (bars 9-13, 15 and 17) is beyond any doubts, although one is missing (the second in bar 9, over B) and two other are placed over the notes that were deleted in the original version (the first in bars 10 and 15). In GE1 (→FE) the majority of them were omitted (only the dots in bars 8, 11-12 and 17 remained). EE and GE2 include versions close to the main text: in EE only the first dot in bar 13 is missing, while in GE2 – the one in bar 15.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Inaccuracies in GE , GE revisions

b. 7

composition: Op. 19, Bolero

Crotchet in FE (→EE)

Quaver in GE
..

The engraver of GE undoubtedly overlooked the crotchet stem of g in the L.H.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 7

composition: Op. 21, Concerto in F minor, Mvt III

3 fingering digits in A (→GE) & EE2 (→EE3)

1 digit in FE (→EE1)
..

The first two fingering digits missing in this bar is certainly an oversight of FE (→EE1). The digits were added in EE2 (→EE3).

category imprint: Differences between sources

issues: EE revisions , Errors in FE

b. 7

composition: Op. 21, Concerto in F minor, Mvt III

Minims in A (→GE1→FE→EE)

Dotted minims in GE2
..  

category imprint: Differences between sources

issues: GE revisions

b. 7

composition: Op. 11, Concerto in E minor, Mvt I

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The cautionary  before f1 was added in FE (→GE,EE).

category imprint: Differences between sources

issues: Cautionary accidentals , Authentic corrections of FE