![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Inaccuracies in GE
b. 462-465
|
composition: Op. 16, Rondo in E♭ major
category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE |
||||||||||
b. 464
|
composition: Op. 16, Rondo in E♭ major
..
The engraver of GE overlooked the staccato dot for E category imprint: Differences between sources issues: Inaccuracies in GE |
||||||||||
b. 466-467
|
composition: Op. 11, Concerto in E minor, Mvt I
..
Omitted dashes determining the range of a given indication (e.g. a dynamic one) are a frequent inaccuracy of the first Chopinesque editions. category imprint: Differences between sources issues: Inaccuracies in GE |
||||||||||
b. 469-474
|
composition: Op. 21, Concerto in F minor, Mvt III
..
No dashes after cresc. must be an inaccuracy of GE1 (→FE→EE). Their omission in GE2 in bars 473-474 is most probably a mistake, too – the bars open a new line of text in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
||||||||||
b. 469-470
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The slur over bar 470 is combined with the previous slur in A. GE1 reproduced it inaccurately – the ending of the slur in bar 469 suggests continuation, yet in bar 470, opening a new line, the slur runs only from the 1st quaver. Both FE (→EE) and GE2 interpreted it as separate slurs. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE |