Issues : Errors of GC
|
b. 95
|
composition: Op. 38, Ballade in F major
..
The typical long accent in A was misrepresented in FE (as a diminuendo hairpin) and EE (as a short accent). In GC (→GE) the sign was overlooked. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in FE , EE inaccuracies , Errors of GC |
|||||||||||
|
b. 97-98
|
composition: Op. 38, Ballade in F major
..
In GC (→GE1) the crotchets in the middle voice of the R.H. – both in bar 97 and the first in bar 98) – are written without the extending dots. The subsequent impressions of GE correct this patent oversight. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of GC |
|||||||||||
|
b. 98
|
composition: Op. 39, Scherzo in C♯ minor
..
GC has no category imprint: Source & stylistic information issues: Accidentals in different octaves , Errors in EE , Omission of current key accidentals , Errors of GC |
|||||||||||
|
b. 100
|
composition: Op. 39, Scherzo in C♯ minor
..
GC has the chord e2-g sharp2-a2-c sharp3 here. The error was corrected in GE. Gutmann made an identical mistake in bar 91. category imprint: Source & stylistic information issues: GE revisions , Errors of GC |
|||||||||||
|
b. 101-104
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
The pedalling of the last two chords of the exposition is marked in the sources inaccurately or erroneously. In FE there is no category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Errors of GC |
in 
raising f sharp1 to f double sharp1. That obvious inaccuracy was corrected in 
raising a1 to a sharp1. 
sign in bar 101. In 
sign in bar 104, whereas in