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b. 109-125

composition: Op. 64 No 2, Waltz in C♯ minor

a-d1 on 2nd beat in As, contextual interpretation

a-d1 on 3rd beat in A & GE

a-d1-a1 in FE (→EE)
..

In bars 109 and 125, in the main text we give the latest Chopin version of the part of the L.H., introduced in the last proofreading of FE (→EE).

category imprint: Differences between sources; Corrections & alterations

issues: GE revisions , Authentic corrections of FE

b. 109-126

composition: Op. 64 No 2, Waltz in C♯ minor

..

In As, in bars 109-110 and 125-126, being a default repetition of bars 45-46, there are no naturals before d2, g2 and d3.

category imprint: Interpretations within context; Differences between sources

b. 109-128

composition: Op. 64 No 2, Waltz in C♯ minor

Shorter  in A

Longer  in FE (→GE,EE)
..

Similarly as in bars 45-48, the  hairpins in bars 109-112 and 125-128 are only in the version prepared for print and the first of the signs begins in the editions clearly earlier than in A.

category imprint: Differences between sources

issues: Inaccuracies in GE , Scope of dynamic hairpins

b. 109-110

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 109

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED