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b. 101-104

composition: Op. 24 No. 4, Mazurka in B♭ minor

Dashes in A (→GE2→GE3)

No dashes in GE1 (→FE→EE)
..

In GE1 (→FE→EE), the dashes defining the extent of the crescendo were omitted, which is surely a mistake. They were added back in GE2 (→GE3).

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 101

composition: Op. 24 No. 4, Mazurka in B♭ minor

..

We add a cautionary  before g flat1 in the L H.

category imprint: Editorial revisions

b. 101

composition: Op. 24 No. 4, Mazurka in B♭ minor

..

We add a cautionary   before a flat1. The same thing was done in GE2 (→GE3)

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 101-111

composition: Op. 24 No. 4, Mazurka in B♭ minor

..

Cautionary flats were added before the last quaver of the lower voice in bars 101 and 109 (g flat1) and bar 111 (b flat1) in GE2 (→GE3).

category imprint: Differences between sources

issues: GE revisions

b. 101

composition: Op. 24 No. 4, Mazurka in B♭ minor

 in A, EE and GE3

 in GE1 (→FE, GE2)

An alternative suggested by the editors
..

The asterisk , entered in A under the 3rd crotchet of the L.H. was placed after that crotchet in GE1 (→FE, GE2). In EE and GE3 the asterisk is placed more or less in accordance with A. In most analogous bars Chopin wrote  before the 3rd crotchet, which - in our opinion - may be considered an alternative interpretation of A also for the discussed bar.

category imprint: Differences between sources

issues: Inaccuracies in GE