b. 120-121
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composition: Op. 23, Ballade in G minor
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The deletions visible in A in these bars and empty space after the most probably erased g1 note under the a2 quaver in b. 121, which was initially most probably a g2 (it did not have a ledger line that would cross it), reveal that initially the 2nd half of b. 120 and the 1st half of b. 121 were analogous to b. 118-119: . The missing mordent in this version allows us to imagine two scenarios of the changes:
category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Main-line changes |
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b. 120-121
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composition: Op. 2, Variations, complete
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As before (b. 105 and 109 and 108), in the main text we add a cautionary to e2 in b. 120 and a to f3 in b. 121. Both accidentals were added in GE3 and the former – also in EE3. category imprint: Editorial revisions issues: GE revisions |
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b. 120
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composition: WN 29, Waltz in E minor
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In the main text we add a slur after analogous bars 16 and 48, since its absence here almost certainly resulted from inattention – see bar 115. category imprint: Editorial revisions issues: Errors in PE |
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b. 121
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composition: Op. 29, Impromptu in A♭ major
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The sources differ in the rhythmic value of the chord. We give the most natural in this context value of the crotchet present in FE and EE. It cannot be excluded that while writing the quaver in A, Chopin mistakenly copied the version in bar 117. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE |
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b. 121
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composition: Op. 43, Tarantella
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In IE crotchet c in LH is not dotted. category imprint: Differences between sources |