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Issues : Authentic corrections of EE
b. 231
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composition: Op. 42, Waltz in A♭ major
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On the 2nd crotchet FE0 (→FE,FEG→GE1) has an undoubtedly erroneous e category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of EE |
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b. 232-234
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The version of FE is most probably accidental – the engraver forgot about the dashes in the new line of the text. The addition in EE may come from Chopin, although it cannot be excluded that according to Chopin, the crescendo was supposed to be led until category imprint: Differences between sources issues: Authentic corrections of EE |
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b. 233-237
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Same as in bars 45-49, in the main text we give cresc. - - added probably by Chopin in the base text to EE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of EE |
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b. 234-237
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the main text we suggest a version based on additions introduced most probably by Chopin in the base text to EE1. We adopt the placement and type of the used accents, which in EE could have been recreated inaccurately, from the undoubtedly authentic notation of the previous version of GC (→GE). category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Long accents , EE inaccuracies , Authentic corrections of EE |
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b. 237
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composition: Op. 42, Waltz in A♭ major
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It is not clear what Chopin wanted to underline with the category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in GE , Authentic corrections of FE , Authentic corrections of GE , Centrally placed marks , Authentic corrections of EE |